Play Along Piano

Tags

Baroque

Petite Priere

Christopher Constance

0:55	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	0	3	100%
Alto		8	0	0	3	96%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	0	3	100%
Alto		8	0	0	3	96%
Tenor		9	0	0	3	92%
Bass		6	0	0	2	79%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo		14	0	4	4	100%
Bassoon		18	0	5	4	92%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo		14	0	4	4	100%
Bassoon		18	0	5	4	92%
Violins 1		16	0	5	7	79%
Violins 2		16	0	6	5	75%
Timpani		2	0	0	6	71%
Trumpets 1 amp; 2		11	0	1	7	69%
Oboe 1 Oboe 2		11	0	4	7	48%
		11	0	4	6	58%
Violas		11	0	3	5	58%
Alfred		10	0	3	7	52%
Alto		6	0	1	7	20%
Bass		6	0	2	7	20%
Soprano		7	0	2	6	20%
Tenor		5	0	1	7	20%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
Bassoon Continuo		14	0	3	5	100%
Bass as Raymondo		17	0	5	8	75%
Oboe		8	0	2	3	71%

King of the fairies

frnx

1:36	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		15	0	1	5	100%
		10	0	0	3	96%
Violoncello		13	2	1	4	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		15	0	1	5	100%
		10	0	0	3	96%
Violoncello		13	2	1	4	96%

Sonata D major for Trumpet and Organ

Eleazart 4

4:18	Est. Play Time
174	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano		25	37	9	6	94%
		9	0	0	1	4%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Órgano		25	37	9	6	94%
		9	0	0	1	4%
		29	27	9	6	99%
Trompeta piccolo		22	0	8	5	64%

Table of J.S. Bach's Ornaments - edited by Franklin Taylor

James Brigham

0:41	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	5	0	5	100%
		10	4	0	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	5	0	5	100%
		10	4	0	8	100%

Gavotte in C majore

pepacechticky1

1:36	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	51	4	3	100%
		15	0	3	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	51	4	3	100%
		15	0	3	3	100%
Violin 1		14	0	4	3	100%
Violin 2		13	0	3	3	100%
Violin 3		9	0	1	3	100%
Violoncello		15	0	3	3	100%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira		14	0	4	5	96%
Cembalo Continuo		14	24	3	4	83%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira		14	0	4	5	96%
Cembalo Continuo		14	24	3	4	83%
		14	1	3	3	78%
Viola		9	0	2	3	78%
Violin 1		8	0	1	3	78%
Violin 2		7	0	2	3	78%
Violoncello Continuo		12	0	3	3	78%
Bassoon Continuo		11	0	2	3	74%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
Bassoon		19	0	6	8	100%
Bassoon Continuo		24	0	9	6	100%
Contrabassi Continuo		19	0	7	5	100%
Inferred Bassoon		23	0	7	6	100%
Viole		16	0	4	7	100%
Violini 1		20	0	8	6	100%
Violini 2		17	0	7	6	100%
Violoncelli Continuo		20	0	7	5	100%
Alti		10	0	4	7	83%
Soprani		14	0	5	7	83%
Bassi		16	0	5	7	79%
Tenori		12	0	4	7	76%
Oboe 1		12	0	3	7	72%
Oboe 2		15	0	6	7	72%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		21	0	5	7	99%
Harpsichord		19	81	5	7	92%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		21	0	5	7	99%
Harpsichord		19	81	5	7	92%
		24	43	7	7	90%
Bass Voice		16	0	4	8	70%
Trumpet		9	0	1	7	64%
Viola		14	0	1	6	52%
Violin 1		14	0	1	6	52%
Violin 2		11	0	1	6	52%
Violoncello Continuo		16	0	1	6	52%
Violone Continuo		15	0	1	6	52%

'Praise my Soul, the King of Heaven' - Baroque Orchestration

tennickmusic

3:10	Est. Play Time
158	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D		10	0	1	2	87%
Bassoon		13	0	2	3	80%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D		10	0	1	2	87%
Bassoon		13	0	2	3	80%
Oboe I		10	0	1	2	67%
Oboe II		7	0	0	3	66%
Continuo.		22	0	4	3	59%
Flute I		10	0	1	2	51%
Flute II		7	0	0	3	50%
Soprano amp;amp; Alto		11	21	1	2	49%
Tenor amp;amp; Bass		14	28	2	3	49%
Violas		6	0	0	2	41%
Violino I		10	0	1	2	41%
Violino II		8	0	0	3	40%
Violoncellos		13	0	2	3	39%

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